TIMEinLINEs [Ontology]

The drawing as a Being that IS past, present, and future, sketched without immediate completion. There is a destiny to manifest, unfinished. The moment where the beginning is determined but the end will remain to be written, as it is in a domain yet to be lived. The ceilings support the drawing, which touches the walls and discovers the floor. It kisses the table where the act is born and does not respect the confined area for its expression. Chronological reality where bidimensionality expands into an ontological, unified space-time. Recursive calculation of authorial analog algorithms validated in reflection grounded in emotional-rational “hands” that compose the most authentic practice. The “ranking” criterion exists through the immersion of the flow in the line conception process; it does not depend on rates of acceptance, rejection, or erasure. Of organic reach without a target audience and without a keyword, its only catalyst is pure vision for the spirit to be a single harmonious entity. Grammar of form that is composed in phases generated in a time-lapse of images – transformations that simply emerge subtly before our eyes – here they become the plastic evidence where life is lived without cost, like waves belonging to the awakening of super consciousness without memory or understanding. A set of infinite rules where everything fits. The aim is interaction with the other, with the place. It liberates those who see, those who visit, those who come and who also breathe involuntarily. Synergy of closing the cycle of essence and purpose. Everything demands relationship. Everything is relationship. Honor belongs to the lines that are seen and embodied in the Wu Wei flow [do not force] like the involuntary breath that exists in the WHOLE and “which is more than the sum of its parts” where Everything is ONE. Where Everything is Design.

Susana Chasse 2021