Lands Project: Drawing The In Visible.
I _ Lands Project.
(…) Drawing that projects the intent of the Elements. The idea of an available mind, empty of any prior knowledge, of a contemplative gaze where everything is found for the first time, the totality within the action, seize the here and now, a moment with no time, no space, no limits between one who observes and one which is observed. Being the silent mind with no subject. Where things are unnameable. The name is a finger that points, but is not the thing in itself; it is what stagnates and prevents evolution. The Name is a concept – it ends up being a confined network of knowledge. If I only know little, I will only see little. And knowing does not mean understanding. When visiting images via the focus of my intention or comparison, I will be limited to the cubicle of my mind, with touching the essence of things.
(…) Drawing that projects the intent of the Elements. The idea of an available mind, empty of any prior knowledge, of a contemplative gaze where everything is found for the first time, the totality within the action, seize the here and now, a moment with no time, no space, no limits between one who observes and one which is observed. Being the silent mind with no subject. Where things are unnameable. The name is a finger that points, but is not the thing in itself; it is what stagnates and prevents evolution. The Name is a concept – it ends up being a confined network of knowledge. If I only know little, I will only see little. And knowing does not mean understanding. When visiting images via the focus of my intention or comparison, I will be limited to the cubicle of my mind, with touching the essence of things.
The Verb is there to be seen. It has no name: the proposal that has the intent of touching the action of that which surrounds us and redesign through our gaze; the impression, in the sense of an idea of passage; the project that allows the manifestation of that which our idea reaches; the subtle Impression of the things and the environments that surround us.
Projecting something, co-creating it in an endless and purposeless architecture. Circular movements of constant shifts where change does not allow for stagnation. Everything transforms.Capturing those constant and invisible movements and moulding them. The’re frames that would otherwise be imperceptible to vision. It would be said that they didn’t exist. They are invisible impressions made visible.
The materials representative of subtle matter that constantly shifts, unite. From the start, coexistence is perceived to be impossible, but due to different presences, weights and spirits, occupy specific spaces and rhythms in a juncture of colours, values and textures designing the duty, the project.
Lands Project, is an invitation to witness tenuous, constant and cyclical transformations. A wandering of a more subtle vision and conscience that exists within us. An Abstract Impression of environments, structures and practises.
The subtle made visible, complementing the physical expression of what’s recorded. [ 2013 ]